Kanoo Museum — Documenting a Family Legacy

Kanoo Museum: the four-storey museum building in Manama Souq, lit at night with KANOO signage, creative direction by Bashar Daas
Kanoo Museum: a restored archive letter displayed above a showcase with a red cloth pouch, creative direction by Bashar Daas

Agency: from6

Client: Yusuf Bin Ahmed Kanoo (YBA Kanoo)

Some stories are too big for a brochure. This one needed a building.

The space

The Kanoo family has been trading in the Gulf for generations. When they decided to tell that story in a museum, they chose a four-storey building in the heart of Manama Souq, right across from Bab Al Bahrain.

The story runs from the 1800s to today, and most of it lived in an archive that had never been opened to the public: faded photos, folded letters, old film. My job at from6 was to turn that archive into four floors people would actually want to walk through, from the first room to the last.

Kanoo Museum: guests at the opening looking into a lit showcase of archive objects, creative direction by Bashar Daas

The idea

I decided early on that the building and the archive would design the museum for me. Nothing would be invented if it could be found.

A logo with roots. The museum’s new logo borrows from the company’s old marks. Every YBA logo from 1922 onwards was redrawn from the original documents, so each one could hold its own on a wall.

Kanoo Museum: historic YBA Kanoo marks from 1922 onwards, redrawn beside the new bilingual museum logo, creative direction by Bashar Daas

The balcony pattern. The original YBA Kanoo building has a balcony screen you can’t miss. I took its shape, simplified it, and turned it into a repeating pattern. Now it runs through the walls, the signs and the printed pieces, tying everything back to the building.

Kanoo Museum: the patterned balcony screen of the original YBA Kanoo building, creative direction by Bashar Daas
Kanoo Museum: floor directory sign in a stairwell, part of the colour-coded wayfinding, creative direction by Bashar Daas

A colour for every chapter. Each zone has its own colour, carried through the walls, the totems and the labels in the showcases. You always know where you are in the story, even on the fourth floor.

Kanoo Museum: colour palette giving each exhibition zone its own colour, creative direction by Bashar Daas
Kanoo Museum: colour-coded information totems for the exhibition zones, creative direction by Bashar Daas

Honest restoration. I cleaned up and sharpened the archive’s photos and documents, taking out the creases, stains and damage that didn’t belong. The rule was simple.

Make it clearer. Never make it up.

Walking through

Every floor has its own moments. A vintage car waits at the entrance with period-correct plates, licence and manuals. Backlit mashrabiya panels glow with Bahraini patterns and textiles. Old travel posters are back in full colour, and a passport wall is rebuilt from Haji Yusuf’s own passport, stamps and all.

Kanoo Museum: archway framing an archive photo of the old Kanoo building with a vintage car, creative direction by Bashar Daas
Kanoo Museum: backlit mashrabiya panels with Bahraini patterns and coloured glass, creative direction by Bashar Daas
Kanoo Museum: exhibition gallery with glowing story panels and a patterned screen, creative direction by Bashar Daas
Kanoo Museum: wall of restored archive photographs of the Kanoo family and business, creative direction by Bashar Daas
Kanoo Museum: arched passage opening onto a red gallery, creative direction by Bashar Daas
Kanoo Museum: showcase with a bangle, a traditional dagger and gold embroidery, creative direction by Bashar Daas

Before and after

Kanoo Museum: archive group photograph from the Kanoo collection, before restoration, creative direction by Bashar DaasKanoo Museum: archive group photograph from the Kanoo collection, after restoration, creative direction by Bashar Daas
Kanoo Museum: 1930s letter from Mitsubishi Shoji Kaisha to Yousif Bin Ahmed Kanoo, before restoration, creative direction by Bashar DaasKanoo Museum: 1930s letter from Mitsubishi Shoji Kaisha to Yousif Bin Ahmed Kanoo, after restoration, creative direction by Bashar Daas

More projects

Have a project in mind?

Brand campaigns, art direction or a creative collaboration: let’s talk.